My paper on “Tape Degradation Factors and Challenges in Predicting Tape Life” that was published in the Fall 2008 issue of the ARSC Journal is now available online. Click here.

Ray A. Rayburn has just updated his page on the XLR microphone connector and its antecedents. Very interesting. While not a major issue in tape recorders, it is in studio practice and for microphone collectors.

I consider myself fortunate to have been one of many recipients of Peter Copeland’s generous assistance while working with some challenging tapes. I was saddened by his too-early passing in 2006.

The British Libary has now published his Handbook (click here).

Teaching people how to identify tapes that are suffering from sticky shed syndrome is often difficult.

I would like to propose that a careful inspection of how the tape comes off the pack may be a good way. Please provide comments as to how it’s working for you.

The tape should come off the tape pack at a precise tangent to the tape. If the tape starts to adhere and not pull off straight, that is a sure sign that the tape needs baking.

Of course, don’t bake acetate tapes even if they show this indicator, but on the last batch of questionable SSS tapes, I’ve been looking at this and it’s a fair indicator, and it seems to show at the outer edge of the pack.

More than one “test” or “factor” is needed to be sure, but this one is looking good.

Another almost sure sign of SSS is brown oxide and black back-coat.

About two years ago, I asked the EBU to make available a copy of their historic document, Review of existing systems for the synchronisation between film cameras and audio tape-recorders and they complied, making it available on their website.

I asked the National Association of Broadcasters about their Cartridge, Cassette, and Reel tape standards as well as their Disc standard and they gave me permission to post these standards at my website.

These five standards plus some other articles of historic interest are available here in the history portion of this website. I hope that you find these of use in unraveling some of the challenges that old media present.

My storage systems have grown to keep up with storage needs. I am currently running two NAS units in RAID-5:

Unit #1 for client audio projects is a Netgear ReadyNAS NV+ with four 500 GB drives, providing about 1.3 TiB of storage.

Unit #2 for personal projects and general data is a Thecus N5200 Pro with four 1000 GB drives, providing about 2.7 TiB of storage.

These two units are then duplicated off-site and connected by a fibre optic link (currently running at 100 Mb/s while the rest of the network is running at 1000 Mb/s). (more…)

The Studer A80RC as designed stops only when both tension sensors lose tension. When using fragile archival tapes, especially at slower speeds, this creates some difficulties as the tape end weaves through the head block. Here is a modification which makes the A80RC operate like an A810, stopping the tape when either tension sensor looses tension. The mod is completely done on the 1.081.393 Command Receiver board and involves adding two parts and removing one.

(more…)

I apologize, but I have been receiving 2000 spam comments a week recently and it fills up my inbox and the users have to be deleted. They’re not going to get their comments posted, but I’m tried of this. If you wish to leave a comment on this blog, please email it to me and I will post it in the article. Sorry. I am moving all the excellent comments into the articles and that should be done shortly.

The format page for 0.15 inch wide tape has a drawing (click for large version) that clearly shows that mono cassettes have one wide track and stereo cassettes split this track in half and add a small guard band. Most mono cassette recorders follow this format. It turns out that the mono Marantz PMD201 uses a two-channel head and records dual mono. Most other mono recorders seem to follow the standard.

While this is a theoretical problem, few if any good mono recorders are available for reproducing these tapes anyway, so most of us in the domain transfer field use good quality stereo machines for all cassette transfer work. (more…)

For many years, I had been in favour of the Primera Z1 small optical disc printer. When Primera discontinued this several years ago, I was not pleased and purchased two as spares, hoping at least the ribbons would continue.

It appears that I am not alone in thinking this is a good product as it has resurfaced as the U-Print CDP78, now in black, and available from many online distributors. The cartridges appear to be interchangeable with the Primera. I can now suggest that this is a good alternative for safe, long-lasting, and reasonably attractive text labeling of CDs and DVDs. It appears that the Teac P11 is also similar. The last time I checked, the Casio required manual rotation of the disk, rather than the Primera’s automatic rotation.

Please provide me with any feedback pro or con—preferably as comments to this post.